华莱士·埃弗瑞曾经在业余的高尔夫联赛上打出漂亮的一击，后来，他参加了职业联赛，因为发挥出色，而被人称为“Choker”。可是再一次比赛中，华莱士却因为紧张，而犯下重大失误，从此败走麦城，蛰伏了起来。几年之后，厌倦做一个失败者的华莱士选择了“假死”，为自己制造了一个叫做亚瑟·纽曼的新身份，重新开始在高尔夫球的世界里的遨游。不期而遇的爱情来临了，而这个目前叫做纽曼的男人也要在纽曼和华莱...

华莱士·埃弗瑞曾经在业余的高尔夫联赛上打出漂亮的一击，后来，他参加了职业联赛，因为发挥出色，而被人称为“Choker”。可是再一次比赛中，华莱士却因为紧张，而犯下重大失误，从此败走麦城，蛰伏了起来。几年之后，厌倦做一个失败者的华莱士选择了“假死”，为自己制造了一个叫做亚瑟·纽曼的新身份，重新开始在高尔夫球的世界里的遨游。不期而遇的爱情来临了，而这个目前叫做纽曼的男人也要在纽曼和华莱...

《品读》是重庆卫视推出的一档文化类栏目。该节目借助“赏析”，深入挖掘经典作品深邃精妙的内涵；通过“诵读”，生动展现经典的节律与气韵之美；利用“背景短片”来渲染氛围，以艺术化的形式传播经典文化。

品读是重庆卫视开的一档文化类型栏目。节目以“赏析”开掘经典深广精妙的内涵，以“诵读”展现经典节律气韵之美好，以“背景短片”点染氛围，以艺术化方式传播经典。

Captain Josiah Newman runs the neuro-psychiatric ward of an Arizona desert hospital during World War II. He often uses unconventional means and people to match, including his new orderly, Jackson Leibowitz. 　　Among the patients in their ward is the suicidal Colonel Bliss, who eventually climbs atop a water tower, and a battle-scarred corporal named Tompkins who reveals under the spell of sodium pentothal the source of his distress. Newman also assists in the marital love life of Captain Winston while enjoying a flirtation or two with his own chief nurse, Lieutenant Corum.

第二次世界大战期间，约西亚·纽曼上尉在亚利桑那州沙漠医院管理神经精神科病房。他经常用非传统的手段和人来配合，包括他的新保镖杰克逊·莱博维茨。 在他们病房里的病人中有自杀性的布利斯上校，他最终爬上了水塔，还有一个身患战争创伤的下士，名叫汤普金斯，他在潘托塔尔钠的魔力下暴露了他的痛苦来源。纽曼还协助温斯顿上尉的婚恋生活，与自己的护士长科鲁姆中尉调情一两次。

商羯罗.阿阇梨诞生在印度一个被称为卡拉迪的小村庄 。他童年就出家成为苦修士。撰写了几百部神圣的著作。他四次从康亚库玛瑞徒步到克什米尔。他把72种宗教融合成一体，成为了全世界的大师。商羯罗.阿阇梨在世仅32年。没有他的诞生，就没人给印度教指明道路。阿什拉姆瑜伽修行法就不会在世上存在。 　　电影描写了他一生 ，叙述他成为大师的过程。里面有几场非常精彩的辩经，还重释爱经，以及他重要的不二论。电影以神话的描述手法，各路大神大显神通，歌曲精彩绝伦。

商羯罗.阿阇梨诞生在印度一个被称为卡拉迪的小村庄 。他童年就出家成为苦修士。撰写了几百部神圣的著作。他四次从康亚库玛瑞徒步到克什米尔。他把72种宗教融合成一体，成为了全世界的大师。商羯罗.阿阇梨在世仅32年。没有他的诞生，就没人给印度教指明道路。阿什拉姆瑜伽修行法就不会在世上存在。 　　电影描写了他一生 ，叙述他成为大师的过程。里面有几场非常精彩的辩经，还重释爱经，以及他重要的不二论。电影以神话的描述手法，各路大神大显神通，歌曲精彩绝伦。

Ansel Easton Adams (February 20, 1902 – April 22, 1984) was an American photographer and environmentalist, best known for his black-and-white photographs of the American West and primarily Yosemite National Park. 　　For his images, he developed the zone system of photography, a way to calculate the proper exposure of a photograph. The resulting clarity and depth were characteristic of his photographs. His crystal clear images were also the result of his using the large format 8×10” film camera, which provided a maximum resolution, although it was among the most difficult cameras to use due to its large size, weight, set-up time, and film cost. However, it was typical of the lengths he would go to achieve his vision of perfection. 　　He founded the Group f/64 along with fellow photographers Edward Weston and Imogen Cunningham, which was responsible for the founding of the Museum of Modern Art's department of photography. Adams' timeless and visually stunning photographs are constantly reproduced on calendars, posters, and in books, making his photographs widely recognizable. And as a result, his images are among the most significant and familiar contributions to the history of photography.

Ansel Easton Adams (February 20, 1902 – April 22, 1984) was an American photographer and environmentalist, best known for his black-and-white photographs of the American West and primarily Yosemite National Park. 　　For his images, he developed the zone system of photography, a way to calculate the proper exposure of a photograph. The resulting clarity and depth were characteristic of his photographs. His crystal clear images were also the result of his using the large format 8×10” film camera, which provided a maximum resolution, although it was among the most difficult cameras to use due to its large size, weight, set-up time, and film cost. However, it was typical of the lengths he would go to achieve his vision of perfection. 　　He founded the Group f/64 along with fellow photographers Edward Weston and Imogen Cunningham, which was responsible for the founding of the Museum of Modern Art's department of photography. Adams' timeless and visually stunning photographs are constantly reproduced on calendars, posters, and in books, making his photographs widely recognizable. And as a result, his images are among the most significant and familiar contributions to the history of photography.